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★★★★☆
Tickets: https://bridgetheatre.co.uk/whats-on/young-marx/
Bridge Theatre, London, SE1 2SG

I recently went down to London to catch up with friends and got to see Francesca, who had been *trying* to get me down in order that I could receive my birthday present (all the way from October!).

It turned out to be tickets to go and see Young Marx, a play that opened this autumn (actually on my birthday!) at the new Bridge Theatre, by the river. It was such a fab gift idea, as I love the theatre, comedies and a bit of Karl. It followed a fab day of eating nice foods, strolling around the Christmassy shops and markets (including John Lewis, where I spent rather a lot of money on a giant Ferrero Rocher as a gift) before she at last revealed where we were heading.

The Bridge Theatre itself is a brand new commercial theatre in London, and it has a beautiful and ambient foyer, that can be seen in the picture below. There was no time before the show to get a drink, but the box office was an open table that seemed friendly, and there was some lovely ice cream at the interval.


The play itself is a dramedy featuring a revolving stage, interchanging accents and a lot of climbing into cupboards. There were several jokes that made me giggle, and I did find it very enjoyable. In terms of a critique, I think I would give it 4 stars, as although there were many positives, some aspects were a little under-acted. I adored the set, the theatre itself, jokes and the play, although perhaps would have seen it tightened up a little dynamically, in order to maintain its wit.

Particularly this seemed to be noticeable at the point of the death of one of the main characters, who was grieved over for one scene, but Marx, in particular, didn't seem to be... sad for much time at all. My main problem is with this character, as his genius also seemed a little curtailed by the content crammed into the play, and although I loved parts such as his meeting with Darwin, it did appear a little underwhelming.

Rory Kinnear, as Marx, did show him to be a flawed character indeed, however: made all the more effective by the juxtaposition of the more restrained Jenny (Nancy Carroll) and Nym (Laura Elphinstone) - especially when they did unleash their justifiable anger.


For my birthday, I received from my friend Gemma the fairly-recently-released sequel to 'milk and honey' by Rupi Kaur, Instagram poet to the masses. She's one of the most instantly recognisable poets to millennials, partly due to her spliced, free form style, also due to her affinity with capital letters, partly because some of her love poems from 2am are so *goddamn* relatable.

This doesn't mean she hasn't endured criticism:

it
doesn't seem
all that hard
for one
to chop
poetry
like you chopped
my heart (for example lol)

However, there is no denying that Rupi Kaur, et al,  has done wonders for modern poetry, for explorations of identity and intersectionality, whilst remaining non-preachy and relevant. Overall, I do actually really enjoy a lot of her poetry, and only some of it makes me groan in a 'how is this really deemed art' way, so I was excited to read her latest offering.

I think the thing about Kaur is that she manages to concisely and accurately represent feelings which can sometimes feel like they're unexplainable: love, loss, confusion. Her second book shows her having grown into herself and her style even more than in 'milk and honey'. It is less, and at once more, superficial. She still dabbles in cliche - one example being the *revolutionary* 'you're everywhere/ except right here/ and it hurts', but one of my absolute favourite parts was the section 'rooting' which explored her parents' emigration from India to Canada.

It also happened to come at a very important time for me, where I needed to read some strongly willed poetry for motivation. I've accidentally started this academic year single (again lol, having basically wasted the last year) and with a huuuuuge workload, which was getting me down a tad. Despite seeming like it's trying too hard in some places, Rupi Kaur's newest collection is uplifting and interesting, with a hugely powerful voice.
For my 18th birthday my friend Amber gave me a collection of modern poetry, which made me feel every emotion I have ever experienced and was very exciting for a poetry lover to read. A lot of the poems made me recall some of the best and less good moments in my life, but all of those little parts form a part of me and this book serves as a useful tool to remember that. This is a very special gift which is definitely worth sharing.


When I saw the front and back cover of the book I was given I was very excited. The words are very encouraging and make you feel incredibly special (who doesn’t like to think they are a princess, not just on your birthday but at any point your eyes come into contact with the book itself). 

Interestingly enough, for someone who has been learning how to seek help but not emotionally overburden those close to me the fact that “the princess saves herself” encouraged me to consider dealing with the more minor annoyances by myself and only ask for help when it’s really necessary. So far, it has been helpful to me but like everything it is a learning curve which requires commitment and practice. The back cover of the book, as you can see in the photo below is just as fantastic, the girl’s ability to “turn into” anyone also serves as an incredibly strong and empowering message - you can be anything and anyone you would like to be and are responsible for moulding yourself. It is a message worth remembering on a day when you feel powerless, alone and demotivated because believing in yourself is key to everything you do as you are definitely the one stable figure in your life who will never leave or disappear without notice.




Now onto the poems, with physically fragmented form, because a lot of them became very memorable and quite special, despite being absolutely irrelevant to my own life. Having opened a poem and having seen a crossed out word at the start it started to normalise the fairy tale I was expecting to encounter. It suddenly made the writing in the collection of poems feel raw and honest - something I could identify as and find myself in. The normalisation of the fairy tale narrative I have encountered when I was little encouraged me to do both, replay the magical fairy tales in my mind and tell myself that anyone could be Belle, or Aurora or any princess trapped in her beautiful metaphorical tower. The poem about siblings is an example of a work which has absolutely no relevance to my own life and therefore did not feel deeply personal, however the physical fragmentation of “sisters”, “saviours” and strangers” alongside the alliteration made me consider this combination of devices a few times; despite there being a link there is a sense of physical separation felt by the reader, conveying the message of the poem incredibly well. The washing of  “away” on the page itself, the uncertainty experienced by the poet when plucking petals and the breakdown caused by "trust" and "fall" made the writing, which already felt genuine become even more real and tangible in the world I live in. We all experience very pleasant and uncomfortable moments in our lives, but I guess seeing some of it as a compilation of beautiful, published words makes our experiences normal and shared by all.

 

 




Despite admiring some of the poetry based on its physical form, I have also been able to find poems which have reminded me of this year and how much has changed over time. It has been a year of incredible encounters, finding new friends and experiencing genuine feelings for the first time ( despite having been labelled as cold for a very long time). Going through some of the poems I have read line by line, encouraged me to recall all of the wonderful moments of the past year and come to terms with a lot of the feelings I have either struggled to admit or openly display. Seeing someone go through a similar experience on paper and guide you through yours, line by line, word by word made me normalise how I have felt and calm down. On the other hand, whilst growing over this exciting year I have had some realisations which I came to eventually admit. The truth is that you can never really please everyone, and sometimes you will fall out with people because you have different views or see your future differently, but having said that it should not be a reason for you to blame yourself for having the “wrong” view of the world or constantly causing conflict. You have the power to direct and change your life and are the person in control.






This collection of poems is a perfect overview of the experiences we all have in life ( some are less drastic for some people and for others they might be more severe) - a mixture of positives and negatives, both of which teach us something. Aside from the many learning points I took away from reading all of the poems in the mentioned collection there is one important realisation I have reached - the only person who is responsible for how your life turns out and how happy you are is you. Of course there might be circumstances which change patterns of events, but you are the one individual you can rely on - trust yourself and keep moving forward with self belief.

Today my best chum in the whole world officially becomes a Highly Responsible Adult, so here's a little tribute post because I love you lots! I know I wrote you a v long card but here's something for your actual birthday :)


Firstly HIPPIE BUFDAIII KLARA LARAAAAAA! It feels like it was only a couple of years ago when we had Top Bantz at your uncle's wedding and danced like white dads at a barbeque at various parties and when we rang that guy from school with the really weird voicemail with my friend Niamh. Random little meet ups like when I went to your house and we went on a long walk across the fields and we ran through the entire plot of Miranda.

(These photos are from 2015 but I can't find any from the Miranda era because I think it was before the invention of the iPhone? 😉 )

It feels almost longer ago that we started to chat on email (did I imagine that?) and then kik (lmao who does that still) before we had the Epic Adventure with Lollies, which was followed by many cinema trips and lots of fun!!


That September, our friendship was *almost* torn apart when we got v v v v v drunk, I made an EXCELLENT fire against all of the odds, weather and disbelief in my skills (see photo). Twas a fun night with nuggets and the cinema the next day and I managed to slide down a wall while putting pyjamas on, and killed my foot for the next six months. But I think we learned that I am not subtle when drunk (later reinforced at Mandypalooza when I was Very Unsubtle in who I thought was fit *dies of shame*)!!



So after that I didn't see you for ages and ages (such sad, much cry) until Sammie hosted her Christmas party, which was cute too, involving river walks, middle fingers up at restaurants belonging to twats, matching Starbucks, green face masks, not to mention on-CUMMING traffic! 


It was finally 2016 and I was thinking 'ooh yay Klar will be able to drive so I'll see her loads'. We went to Birmingham and went into all the photo booths we could find to have adorable times.

 

This theory was okay until you got the plague and I saw you only once, and felt very sorry for you, but got the cutest card and a mixtape and a fancy man's aftershave to get you through the ordeal. It was the beginning of your new life as Kclara, which was Starbucks' fond name for you. Names since have included Clara, courtesy of gtc and Kara, another Starbucks blunder!

We didn't see each other again till Mandypalooza. lol. That's all I'm saying. Ooh, and also I managed to take a really fit picture of you for your facebook profile, and the WORST photo ever of us two. Too hideous to show. Ever. Then I didn't get to see you for yonks because you got a boyfriend who is a good egg and I got one who was a complete knob (is there a theme with me?!), but when I also contracted the plague, you came to see me for my burfdai, and cheered me up lots with Burfday Bangerz and lollies and hugs.


Our friendship, however, isn't just the times we see each other, because sometimes they are few and far between. It's the fuckboy list, our many appreciation societies, the Depreciation Society, our love for Doge, The 1975 and 2000s tv shows and movies. YOU'RE A NU*implied t's*ER GORGAH. 



You're the best my chum!! It makes me a bit sad in some ways because you're growing old and next year you'll be at uni. However, we'll probably see each other the same amount as we do now, and it'll be cute as ever. So, you're 18 today and when you feel sad, just remember that you're funny and kind and even when you think you're mean you're still sweet, otherwise how would you have such an AMAZING person as me as your BFFYEWYDWM (best friend for yonks, even when you don't want me ;) ). 

Love you lots famalam, have a great burfday and I'll probs see you in about 8 months <3333

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